When is hierarchy necessary?This work interrogates the cultural positioning of Mother Nature, tracing the tension between reverence and dominion. I found myself conflicted, trying to find a bridge between the interdependent understandings of humans and nature within Buddhist philosophies and the stewardship model of Christian theology.
This installation emerges from years of dialogue with religious and cultural leaders about man-nature relationships, including Pacific Island elders, Zen Buddhist monks, Japanese beekeepers, Spanish Trappist monks, pilgrims along the Camino de Santiago, American climate scientists, international climate diplomats, youth climate activists at the UN, and environmental lawyers.
Babel, 2026. Exhibited at the United Nations as a part of a Talanoa style diplomatic dialogue I organized at COP30 of the UNFCCC, in which we discussed international climate justice through the lens of artistry.
Purple Martin, 2025. Exhibited at the Connecticut Audubon Society as a part of a larger discussion on natural cycles of life and death relating to species extinction. This piece accompanied a nature philosophy immersive art discussion hosted in collaboration with the Table and Gallery. The Purple Martin was acquired by a collector through an on-site auction that benefited conservation efforts at the Connecticut Audubon Society.
Nature's Three Body Problem, 2024. Imagery inspired by my research fellowship in Japan, in which I sought to understand the distinctions between Eastern and Western environmental philosophy. I traveled to rural mountainsides and villages to speak with monks, yoginis, and bee keepers. This piece considers the cosmic implications of being interdependent with nature.
Cycles, 2026
Reflection, 2025
Nature's Pedestal, 2024
Feathers in Flame, 2024
Nature's Keeper, 2024
War, 2025
Peace, 2025